• encarnado: embodied

    Archival pigment prints on Epson Hot Press Bright at 20” x 30” and 33” x 40”. In progress.

     

    I have always been fascinated by the power of photography to record and reinterpret what is both absent and present, and have created images that re-construct what was once there but no longer exists. My current work encarnado: embodied re-visits this fascination in Mexico, with a body of work made in San Miguel de Allende’s Rastro Municipal.

    As I photographed in San Miguel de Allende’s slaughterhouse, I was faced with the body at its most elemental. In a surprising intertwining of flesh, both human and animal, I was drawn into this sensory-charged space where both the fury and the fragility of life permeated the air. I set out to understand the strange mixture of repulsion and attraction, terror and power. Perhaps I could create an image that honed the sensorial onslaught into an offering.

    encarnado: embodied  is a testament to that search. The boundaries between predator and prey, sustenance and deprivation, body and spirit, subject and object become porous as I confront the visceral. What’s left alludes to the complicated and violent order of things, in the liminal space linking life and death.

    encarnado: embodied (corazón/heart)
    640,960
    Not For Sale
  • encarnado: embodied

    Archival pigment prints on Epson Hot Press Bright at 20” x 30” and 33” x 40”. In progress.

     

    I have always been fascinated by the power of photography to record and reinterpret what is both absent and present, and have created images that re-construct what was once there but no longer exists. My current work encarnado: embodied re-visits this fascination in Mexico, with a body of work made in San Miguel de Allende’s Rastro Municipal.

    As I photographed in San Miguel de Allende’s slaughterhouse, I was faced with the body at its most elemental. In a surprising intertwining of flesh, both human and animal, I was drawn into this sensory-charged space where both the fury and the fragility of life permeated the air. I set out to understand the strange mixture of repulsion and attraction, terror and power. Perhaps I could create an image that honed the sensorial onslaught into an offering.

    encarnado: embodied  is a testament to that search. The boundaries between predator and prey, sustenance and deprivation, body and spirit, subject and object become porous as I confront the visceral. What’s left alludes to the complicated and violent order of things, in the liminal space linking life and death.

    
    encarnado: embodied (cuerpo/torso)
    1000,660
    Not For Sale
  • encarnado: embodied

    Archival pigment prints on Epson Hot Press Bright at 20” x 30” and 33” x 40”. In progress.

     

    I have always been fascinated by the power of photography to record and reinterpret what is both absent and present, and have created images that re-construct what was once there but no longer exists. My current work encarnado: embodied re-visits this fascination in Mexico, with a body of work made in San Miguel de Allende’s Rastro Municipal.

    As I photographed in San Miguel de Allende’s slaughterhouse, I was faced with the body at its most elemental. In a surprising intertwining of flesh, both human and animal, I was drawn into this sensory-charged space where both the fury and the fragility of life permeated the air. I set out to understand the strange mixture of repulsion and attraction, terror and power. Perhaps I could create an image that honed the sensorial onslaught into an offering.

    encarnado: embodied  is a testament to that search. The boundaries between predator and prey, sustenance and deprivation, body and spirit, subject and object become porous as I confront the visceral. What’s left alludes to the complicated and violent order of things, in the liminal space linking life and death.

    
    encarnado: embodied (diptych)
    1000,323
    Not For Sale
  • encarnado: embodied

    Archival pigment prints on Epson Hot Press Bright at 20” x 30” and 33” x 40”. In progress.

     

    I have always been fascinated by the power of photography to record and reinterpret what is both absent and present, and have created images that re-construct what was once there but no longer exists. My current work encarnado: embodied re-visits this fascination in Mexico, with a body of work made in San Miguel de Allende’s Rastro Municipal.

    As I photographed in San Miguel de Allende’s slaughterhouse, I was faced with the body at its most elemental. In a surprising intertwining of flesh, both human and animal, I was drawn into this sensory-charged space where both the fury and the fragility of life permeated the air. I set out to understand the strange mixture of repulsion and attraction, terror and power. Perhaps I could create an image that honed the sensorial onslaught into an offering.

    encarnado: embodied  is a testament to that search. The boundaries between predator and prey, sustenance and deprivation, body and spirit, subject and object become porous as I confront the visceral. What’s left alludes to the complicated and violent order of things, in the liminal space linking life and death.

    
    encarnador: embodied (ganchos/hooks)
    640,960
    Not For Sale
  • encarnado: embodied

    Archival pigment prints on Epson Hot Press Bright at 20” x 30” and 33” x 40”. In progress.

     

    I have always been fascinated by the power of photography to record and reinterpret what is both absent and present, and have created images that re-construct what was once there but no longer exists. My current work encarnado: embodied re-visits this fascination in Mexico, with a body of work made in San Miguel de Allende’s Rastro Municipal.

    As I photographed in San Miguel de Allende’s slaughterhouse, I was faced with the body at its most elemental. In a surprising intertwining of flesh, both human and animal, I was drawn into this sensory-charged space where both the fury and the fragility of life permeated the air. I set out to understand the strange mixture of repulsion and attraction, terror and power. Perhaps I could create an image that honed the sensorial onslaught into an offering.

    encarnado: embodied  is a testament to that search. The boundaries between predator and prey, sustenance and deprivation, body and spirit, subject and object become porous as I confront the visceral. What’s left alludes to the complicated and violent order of things, in the liminal space linking life and death.

    
    encarnado: embodied (torso y la mano de juan manuel)
    640,960
    Not For Sale
  • encarnado: embodied (sangre/blood)
    1000,667
    Not For Sale
  • San Miguel de Allende, Mexico, Rastro
    640,960
    Not For Sale
  • encarnado: embodied

    Archival pigment prints on Epson Hot Press Bright at 20” x 30” and 33” x 40”. In progress.

     

    I have always been fascinated by the power of photography to record and reinterpret what is both absent and present, and have created images that re-construct what was once there but no longer exists. My current work encarnado: embodied re-visits this fascination in Mexico, with a body of work made in San Miguel de Allende’s Rastro Municipal.

    As I photographed in San Miguel de Allende’s slaughterhouse, I was faced with the body at its most elemental. In a surprising intertwining of flesh, both human and animal, I was drawn into this sensory-charged space where both the fury and the fragility of life permeated the air. I set out to understand the strange mixture of repulsion and attraction, terror and power. Perhaps I could create an image that honed the sensorial onslaught into an offering.

    encarnado: embodied  is a testament to that search. The boundaries between predator and prey, sustenance and deprivation, body and spirit, subject and object become porous as I confront the visceral. What’s left alludes to the complicated and violent order of things, in the liminal space linking life and death.

    
    encarando: embodied (Diptych 2)
    1000,716
    Not For Sale
  • encarnado: embodied

    Archival pigment prints on Epson Hot Press Bright at 20” x 30” and 33” x 40”. In progress.

     

    I have always been fascinated by the power of photography to record and reinterpret what is both absent and present, and have created images that re-construct what was once there but no longer exists. My current work encarnado: embodied re-visits this fascination in Mexico, with a body of work made in San Miguel de Allende’s Rastro Municipal.

    As I photographed in San Miguel de Allende’s slaughterhouse, I was faced with the body at its most elemental. In a surprising intertwining of flesh, both human and animal, I was drawn into this sensory-charged space where both the fury and the fragility of life permeated the air. I set out to understand the strange mixture of repulsion and attraction, terror and power. Perhaps I could create an image that honed the sensorial onslaught into an offering.

    encarnado: embodied  is a testament to that search. The boundaries between predator and prey, sustenance and deprivation, body and spirit, subject and object become porous as I confront the visceral. What’s left alludes to the complicated and violent order of things, in the liminal space linking life and death.

    
    encarnado: embodied (medusa)
    640,960
    Not For Sale
  • encarnado: embodied

    Archival pigment prints on Epson Hot Press Bright at 20” x 30” and 33” x 40”. In progress.

     

    I have always been fascinated by the power of photography to record and reinterpret what is both absent and present, and have created images that re-construct what was once there but no longer exists. My current work encarnado: embodied re-visits this fascination in Mexico, with a body of work made in San Miguel de Allende’s Rastro Municipal.

    As I photographed in San Miguel de Allende’s slaughterhouse, I was faced with the body at its most elemental. In a surprising intertwining of flesh, both human and animal, I was drawn into this sensory-charged space where both the fury and the fragility of life permeated the air. I set out to understand the strange mixture of repulsion and attraction, terror and power. Perhaps I could create an image that honed the sensorial onslaught into an offering.

    encarnado: embodied  is a testament to that search. The boundaries between predator and prey, sustenance and deprivation, body and spirit, subject and object become porous as I confront the visceral. What’s left alludes to the complicated and violent order of things, in the liminal space linking life and death.

    
    encarnado: embodied (torso y fuego/torso and fire)
    640,960
    Not For Sale
  • encarnado: embodied

    Archival pigment prints on Epson Hot Press Bright at 20” x 30” and 33” x 40”. In progress.

     

    I have always been fascinated by the power of photography to record and reinterpret what is both absent and present, and have created images that re-construct what was once there but no longer exists. My current work encarnado: embodied re-visits this fascination in Mexico, with a body of work made in San Miguel de Allende’s Rastro Municipal.

    As I photographed in San Miguel de Allende’s slaughterhouse, I was faced with the body at its most elemental. In a surprising intertwining of flesh, both human and animal, I was drawn into this sensory-charged space where both the fury and the fragility of life permeated the air. I set out to understand the strange mixture of repulsion and attraction, terror and power. Perhaps I could create an image that honed the sensorial onslaught into an offering.

    encarnado: embodied  is a testament to that search. The boundaries between predator and prey, sustenance and deprivation, body and spirit, subject and object become porous as I confront the visceral. What’s left alludes to the complicated and violent order of things, in the liminal space linking life and death.

    

    encarnado: embodied (La mano de juan andrés)
    640,960
    Not For Sale
  • encarnado: embodied

    Archival pigment prints on Epson Hot Press Bright at 20” x 30” and 33” x 40”. In progress.

     

    I have always been fascinated by the power of photography to record and reinterpret what is both absent and present, and have created images that re-construct what was once there but no longer exists. My current work encarnado: embodied re-visits this fascination in Mexico, with a body of work made in San Miguel de Allende’s Rastro Municipal.

    As I photographed in San Miguel de Allende’s slaughterhouse, I was faced with the body at its most elemental. In a surprising intertwining of flesh, both human and animal, I was drawn into this sensory-charged space where both the fury and the fragility of life permeated the air. I set out to understand the strange mixture of repulsion and attraction, terror and power. Perhaps I could create an image that honed the sensorial onslaught into an offering.

    encarnado: embodied  is a testament to that search. The boundaries between predator and prey, sustenance and deprivation, body and spirit, subject and object become porous as I confront the visceral. What’s left alludes to the complicated and violent order of things, in the liminal space linking life and death.

    
    encarnado: embodied (triptych)
    1000,208
    Not For Sale
  • encarnado: embodied

    Archival pigment prints on Epson Hot Press Bright at 20” x 30” and 33” x 40”. In progress.

     

    I have always been fascinated by the power of photography to record and reinterpret what is both absent and present, and have created images that re-construct what was once there but no longer exists. My current work encarnado: embodied re-visits this fascination in Mexico, with a body of work made in San Miguel de Allende’s Rastro Municipal.

    As I photographed in San Miguel de Allende’s slaughterhouse, I was faced with the body at its most elemental. In a surprising intertwining of flesh, both human and animal, I was drawn into this sensory-charged space where both the fury and the fragility of life permeated the air. I set out to understand the strange mixture of repulsion and attraction, terror and power. Perhaps I could create an image that honed the sensorial onslaught into an offering.

    encarnado: embodied  is a testament to that search. The boundaries between predator and prey, sustenance and deprivation, body and spirit, subject and object become porous as I confront the visceral. What’s left alludes to the complicated and violent order of things, in the liminal space linking life and death.

    
    encarnado: embodied (juan carlos)
    1000,667
    Not For Sale
  • encarnado: embodied

    Archival pigment prints on Epson Hot Press Bright at 20” x 30” and 33” x 40”. In progress.

     

    I have always been fascinated by the power of photography to record and reinterpret what is both absent and present, and have created images that re-construct what was once there but no longer exists. My current work encarnado: embodied re-visits this fascination in Mexico, with a body of work made in San Miguel de Allende’s Rastro Municipal.

    As I photographed in San Miguel de Allende’s slaughterhouse, I was faced with the body at its most elemental. In a surprising intertwining of flesh, both human and animal, I was drawn into this sensory-charged space where both the fury and the fragility of life permeated the air. I set out to understand the strange mixture of repulsion and attraction, terror and power. Perhaps I could create an image that honed the sensorial onslaught into an offering.

    encarnado: embodied  is a testament to that search. The boundaries between predator and prey, sustenance and deprivation, body and spirit, subject and object become porous as I confront the visceral. What’s left alludes to the complicated and violent order of things, in the liminal space linking life and death.

    
    encarnado: embodied (carne/meat)
    360,251
    Not For Sale
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