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Biczel, Dorota, Beyond the Record: Muriel Hasbun, Stephanie Concepción Ramírez, Jessica Carolina González, Houston Center for Photography, (exhibition brochure), 2022. |
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Capps, Kriston, “The Stories Art Can Tell,” The Washington Post Magazine, June 19, 2022. |
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Oslé, Emma, “Lost and Found: Unearthing the Echoes of Muriel Hasbun’s Seismic Traces,” Intervenxions, NYU Latinx Project, NY, NY, April 5, 2022. |
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Erina Duganne and Abigail Satinsky, eds., Art for the Future: Artists Call and Central American Solidarities, Inventory Press and Tufts University Art Galleries, 2022. |
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Villasmil, Alejandra, Artists Call. Redes de solidaridad entre artistas y activistas de EEUU y Centroamérica, Artishock Revista, 27 Feb 2022. |
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Duganne, Erina, “Registers for the Future: Muriel Hasbun’s Pulse,” Rutgers Center for Women in the Arts and Humanities, (online catalog essay for “Muriel Hasbun: Seismic Traces”), 2021.
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Pretelin, Claudia and Muriel Hasbun, “Between Memories: An Interview with Muriel Hasbun,” Instruments of Memory, October 2021. |
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Pardo, Cristina, “Entre Auvergne e Izalco. Terruño y lugar diaspórico en el trabajo fotográfico de Muriel Hasbun,” VIII Congreso Centroamericano de Estudios Culturales, Guatemala, Oct. 15, 2021. |
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Duganne, Erina, “There was no record of her smile: Muriel Hasbun’s X post facto,” in Contact Zones: Photography, Migration and Cultural Encounters in the United States, Justin Carlisle, Sigrid Lien (eds.), Leuven University Press, 2021. |
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Duganne, Erina, “There was no record of her smile: Muriel Hasbun’s X post facto,” in Photography Between Evidence and Disclosure, Rutgers University Center for Cultural Analysis, April 9, 2021. |
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Benítez, Raúl, “Fotografío para cuestionar: Muriel Hasbun,” Disruptiva, febrero 15, 2021. |
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Rousseau, Claudia, “RECORD: Cultural Pulses/Muriel Hasbun,” East City Art, Feb. 19, 2021. |
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“Photography is Dead…Long live Photography!,” Candela Books + Gallery, exhibition catalog, 2021. |
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Ferrer, Elizabeth, Latinx Photography in the United States: A Visual History, University of Washington Press, 2021. |
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Ober, Cara, “The 2020 Sondheim Prize Finalists,” BmoreArt, July 24, 2020. |
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Rousseau, Claudia, “The Trawick Contemporary Art Awards 2019,” East City Art, Sept. 18, 2019. |
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Wexler, Ellyn, “Gallery B Exhibits Visual Arts by Trawick Prize Finalists: Muriel Hasbun’s
Photography, Video and Interactive Installations Explore Identity, Migration, Memory,” Culture
Spotlight MC, Sept. 2019. |
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Cornejo, Kency, U.S. Central Americans in Art and Visual Culture, Oxford Research Encyclopedia of
Literature, Online Publication, Feb. 2019. |
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Marchio, Julie, “(Pos)Memoria(s) de la diaspora judia en Centroamerica: ¿De un trauma a otro?,”
Revista de Historia, IHNCA (UCA), Nicaragua, No. 36, 2019. |
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Roth, Paul, “Muriel Hasbun: Saints and Shadows, A Journey of a Complex Heritage,”in TRIBE:
Photography and Media from the Arab World, Dubai, Issue 7, 2018.
PDF |
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Smithson, Aline, “Center’s Producer’s Choice 2nd Place Award: Muriel Hasbun,” Lenscratch, May 27,
2018. |
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Smithson, Aline, “Center’s Curator’s Choice 2nd Place Award: Muriel Hasbun,” Lenscratch, June 27, 2017. |
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Herrera, Adriana, “Artist Immigrants of Washington: The Looking Glass,” Arte al Día, 2017. |
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Jenkins, Mark, “In the Galleries: Conversations between mother and daughter, teacher and student,” The Washington Post, October 8, 2016. |
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The Kojo Nnamdi Show, “Through “The Looking Glass”: Latin American Immigrant Artists in D.C.” WAMU 88.5, Tuesday, August 9, 2016. |
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Rassmussen, Jack, The Looking Glass: Artist Immigrants of Washington, exhibition catalog, Alper Initiative for Washington Art, American University Museum, 2016. |
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Mejía, Diandra, “Arte Voz El Salvador, memoria e identidad,” El Diario de Hoy, 27.mar.2016.
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Trull, Armando, “Art From El Salvador’s Civil War Sparks Painful Memories,” WAMU 88.5, Washington, D.C., October 9, 2015. |
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Cornejo, Kency, “Does That Come with a Hyphen? A Space?: The Question of Central American-Americans in Latino Art and Pedagogy,” Aztlán: A Journal of Chicano Studies, 40:1, University of California Regents, Spring 2015. |
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Aranda-Alvarado, Rocío, “Art Adventures with El Museo del Barrio: El Salvador,”Artsy, May 2015. |
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Andreu, Tomás y Fred Ramos, “La galería El Laberinto creció y floreció durante la guerra, que es la paradoja más grande que existe,” El Faro, April 26, 2015. |
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Hubbard, Kitty, Report: Society for Photographic Education 51st National Conference, Afterimage, June 2014. |
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Coppola, John, “What is American about Latino Art?,” The Miami Herald, March 2, 2014.
PDF |
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Ramos, Carmen E., Our America: The Latino Presence in American Art, Smithsonian American Art Museum, 2014
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Gross, Rebecca, “Getting to Know Oneself,” NEA ARTS Magazine, No. 4, 2013.
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Harlan, Becky and Muriel Hasbun, “Five Questions with Photographer Muriel Hasbun,” EyeLevel, December 12, 2013.
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O’Sullivan, Michael, “A Democracy of Images Art Review,” The Washington Post, Dec. 5, 2013.
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Ramos, Carmen and Florencia Bazzano-Nelson, “Preparing for Our America: Close to Home: Muriel Hasbun and Washington D.C.’s Salvadoran Community,” EyeLevel, Sept. 14, 2013.
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e-misférica, "On the Subject of Archives", ed. by Marianne Hirsch and Diana Taylor; essay by Sareh Afshar, 2012
PDF Essay by Sareh Afshar
PDF X post facto Artist Statement |
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Marianne Hirsch: The Generation of Post Memory: Writing and Visual Culture After the Holocaust, 2012
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University of Texas Austin: Archive and Memory, 2012 |
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Corcoran Press Release for 2 Nations, 2 Museums, 1 Identity, 2012 |
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The Washington Post Review of Conversación by Michael O'Sullivan, 2011
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The Washington Post Going Out Guide Blog Review of Conversacion, 2011
WashPost GoingOutGuide Conversación PDF
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100 Artists of Washington D.C.: Lennox Campello, 2011
PDF
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Corcoran Press Release for 2 Museums, 2 Nations, 1 Identity, 2011
PDF |
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The Washington Post Review of Close to Home: Photographers and Their Families by Mark Jenkins, 2011
Close to Home Wall Text PDF
PDF of Wash Post article |
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Smithsonian American Art Museum: Meet the Artist Video, 2010
PDF
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Smithsonian American Art Museum: Intersections/Intersecciones Panel Discussion, 2010
PDF
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The Fulbright Experience: Video, 2010
PDF |
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Gift Exchange, DC Arts Center, 2009 |
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Body Politics, ed. by Marcelo Brodsky & Julio Pantoja
PDF Excerpt
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El Diario de Hoy Review of barquitos de papel at the American University Museum, 2008 PDF
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Fulbright Scholar Project, essay in U.S. Dept. of State Fulbright website PDF, 2008
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Marianne Hirsch & Leo Spitzer, "What's Wrong With This Picture?" from Journal of Modern Jewish Studies, 2006
PDF
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Fulbright Catalog, 2006 |
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ARTnews Review of Memento: Muriel Hasbun Photographs by Roger Atwood, 2005
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Seattle Times Review of Memento, 2004
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Paul Roth's Essay in Memento: Muriel Hasbun Photographs Brochure, 2004 |
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Corcoran Gallery of Art Press Release for Memento: Muriel Hasbun Photographs, 2004 |
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The Washington Post: Weekend's Best: Memento |
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Camera Works: "Muriel Hasbun and Layering Images", by Frank van Riper, 2004
PDF
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The Washington Diplomat Review of Memento: "Angels and Phantoms" by Carolyn Cosmos, 2004 PDF
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The Washington Post Review of Memento: "Multiple Exposures" by Mark Jenkins |
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Washingtonian Online Review of Memento |
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The New York Times Review of Memento, 2004 |
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Washington City Paper Review of Watched Over, 2003 |
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The Washington Post Review of Watched Over: "Memory Over Memory" by Jessica Dawson, 2003 |
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50th Venice Biennale:"Protegida (Watched Over): Muriel Hasbun's Postmemory Project" by Andy Grundberg, 2003
PDF of Catalog
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"Editorial", ZoneZero, by Pedro Meyer, June 1997 |
