For a complete list of bibliographical references, please check out my CV, listed and downloadable on the website.

 

   

e-misférica, "On the Subject of Archives", ed. by Marianne Hirsch and Diana Taylor; essay by Sareh Afshar, 2012

PDF Essay by Sareh Afshar

PDF X post facto Artist Statement 
 

Marianne Hirsch: The Generation of Post Memory: Writing and Visual Culture After the Holocaust, 2012

 

    University of Texas Austin: Archive and Memory, 2012
    Corcoran Press Release for 2 Nations, 2 Museums, 1 Identity, 2012
   

The Washington Post Review of Conversación by Michael O'Sullivan, 2011

 

 

   

The Washington Post Going Out Guide Blog Review of Conversacion, 2011

 

WashPost GoingOutGuide Conversación PDF

   

100 Artists of Washington D.C.: Lennox Campello, 2011

 

PDF

   

Corcoran Press Release for 2 Museums, 2 Nations, 1 Identity, 2011

 

PDF 
   

The Washington Post Review of Close to Home: Photographers and Their Families by Mark Jenkins, 2011

Close to Home Wall Text PDF

PDF of Wash Post article 
   

Smithsonian American Art Museum: Meet the Artist Video, 2010

 

PDF

   

Smithsonian American Art Museum: Intersections/Intersecciones Panel Discussion, 2010

 

PDF

     

The Fulbright Experience: Video, 2010

 

PDF
    Gift Exchange, DC Arts Center, 2009
   

Body Politics, ed. by Marcelo Brodsky & Julio Pantoja

 

PDF Excerpt

   

El Diario de Hoy Review of barquitos de papel at the American University Museum, 2008 PDF

 

 

     

Fulbright Scholar Project, essay in U.S. Dept. of State Fulbright website PDF, 2008

 

   

Marianne Hirsch & Leo Spitzer, "What's Wrong With This Picture?" from Journal of Modern Jewish Studies, 2006

 

PDF

    Fulbright Catalog, 2006
   

ARTnews Review of Memento: Muriel Hasbun Photographs by Roger Atwood, 2005

 

   

Seattle Times Review of Memento, 2004

 

    Paul Roth's Essay in Memento: Muriel Hasbun Photographs Brochure, 2004
    Corcoran Gallery of Art Press Release for Memento: Muriel Hasbun Photographs, 2004
    The Washington Post: Weekend's Best: Memento
   

Camera Works: "Muriel Hasbun and Layering Images", by Frank van Riper, 2004

 

PDF

   

The Washington Diplomat Review of Memento: "Angels and Phantoms" by Carolyn Cosmos, 2004 PDF

 

 

    The Washington Post Review of Memento: "Multiple Exposures" by Mark Jenkins  
    Washingtonian Online Review of Memento 
  The New York Times Review of Memento, 2004
    Washington City Paper Review of Watched Over, 2003
    The Washington Post Review of Watched Over: "Memory Over Memory" by Jessica Dawson, 2003
   

50th Venice Biennale:"Protegida (Watched Over): Muriel Hasbun's Postmemory Project" by Andy Grundberg, 2003

 

PDF of Catalog

 

    "Editorial", ZoneZero, by Pedro Meyer, June 1997